Téa Obreht


 
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Téa Obreht was born in Belgrade, in the former Yugoslavia, and grew up in Cyprus and Egypt before eventually immigrating to the United States. Her debut novel, The Tiger’s Wife, won the 2011 Orange Prize for Fiction, and was a 2011 National Book Award finalist and an international bestseller. Her work has been anthologized in The Best American Short Stories and The Best American Non-Required Reading, and has appeared in The New Yorker, Harper's, The Atlantic, Vogue, Esquire and Zoetrope: All-Story, among many others. She was a National Book Foundation 5 Under 35 honoree, and was named by The New Yorker as one of the twenty best American fiction writers under forty. She lives in New York with her husband, and teaches at Hunter College.

 

 

About Inland

“A bracingly epic and imaginatively mythic journey across the American West in 1893, in which the lives of a former outlaw and a frontierswoman collide and intertwine.”

In the lawless, drought-ridden lands of the Arizona Territory in 1893, two extraordinary lives collide. Nora is an unflinching frontierswoman awaiting the return of the men in her life—her husband, a newspaperman who has gone in search of water for the parched household, and her elder sons who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home, and her husband’s seventeen-year-old cousin, who communes with spirits.

Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Nora’s and Lurie’s stories intertwine is the surprise and suspense of this brilliant novel.

Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht’s talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely—and unforgettably—her own. 

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